The feminine urge to practise witchcraft
Every woman is a witch in Witches (2024)
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History's unwavering hold on the present
The timelessness of Shakespeare's Julius Caesar at Artscape Theatre
In honour of uncertainty
Tradition and transition coexist in Conclave (2024)
How stories bring us home
It's more than a comfort show
Being late to the party
The practice of unrushed curiosity
Face to face with the past
Personal and historical griefs in A Real Pain (2024)
Motherhood on the wild side
The trouble with adaptation in Nightbitch (2024)
Is Earth the bad place?
Lessons in being human from The Good Place
A curation of oneself
On the art of returning
Maybe modern art does make sense
Remedying misperceptions of modern and contemporary art at Tate Modern
The art of conversation
How we find each other through art
To the lives eclipsed by dread
The daily horrors of womanhood in Woman of the Hour (2024)
In pursuit of being uncultured
Rekindling the comfort of leisure
How to say the last goodbye
Even small feelings are big in Àma Gloria (2023)